Instructional Television Series
HISTORY OF ENGLISH LITERATURE
Six Programs for Grades 8 - Adult
This series offers a concise and unified survey of English literature, from the Anglo-Saxon period to the 1980s. As the title suggests, the series is a history of major trends and movements in the development of one of the worlds great literatures. Its primary function is to place writers in their historical and literary context, relating them to their contemporaries, to the social and political events of their time, to the literary forms that they have developed, and the themes that they have explored.
To narrate the programs, the producers have assembled a small troop of young actors and to give dramatic quality to the many examples presented of poetry, prose, and scenes from plays. Students see a group of aspiring professionals, all close to their own age, bring to life lines by such literary masters as Shakespeare, Wilde, Pinter, Donne, Tennyson, T.S. Eliot, and Auden. The immediacy of this presentation may help students to sense some of the undiminished vitality of these works and whet their appetites for more. This is the main objective of the program: to delight students into wanting to broaden their knowledge of English literature.
Program 1 EARLY ENGLISH LITERATURE
This program focuses on the various forces behind the first English writings including
Germanic tribes who brought Old English, pre-Christian or pagan influences, the beginnings
of Christianity and the Norman Invasion. Christianity
emerges as a strong force behind literature as the Monks are the first to read and write. The Middle Ages bring extreme hardships such as
the Black Death and an escape into fantasy was the relief of the times. Morality plays,
mystery plays and allegories dominate the dramatic venues.
With the Renaissance, the individual and his quality of life on earth
instead of his relationship with God and the hereafter are explored. By the time of the Reformation, printing
technology had developed and literature flourished. Some
of the works and authors discussed are Beowulf, Sir Thomas Malory, Everyman,
The Canterbury Tales, Utopia, Sir Thomas Wyatt and Sir Philip Sidney.
Program 2 MORALITY, MYSTERY AND
SHAKESPEARE
In the Elizabethan Age, permanent public theaters were built to house professional acting
companies. The Globe Theatre, where
Shakespeare worked as an actor and playwright, was built in 1599. Drama developed rapidly. Marlowe wrote the first plays in blank verse and
Shakespeare penned numerous plays and sonnets where his human characters and universal
themes appealed to the public. Also covered
are works of Edmund Spenser.
Program 3 THE 17TH AND 18TH
CENTURIES AND THE EMERGENCE OF THE NOVEL
The instability of the times included religious dissent in the form of the Puritan
movement and political upheaval. Many of the
writings reflect religious concerns including conceits by John Donne, Paradise Lost
by John Milton and The Pilgrims Progress by John Bunyan. Francis Bacon and John Dryden were some of the
voices of the times. The Restoration of the
monarchy in 1660 re-opened theatres, closed for their immorality. The plays were now comedies about and for the
upper classes called Restoration comedy. Excerpts
from William Congreves Love For Love are dramatized. The early years of the 18th Century are
often called the Age of Reason, and writers were concerned with the organization of
society and social behavior, developing satire to a fine point. Alexander Pope, the poet, and Jonathan Swift best
represent this literary form. Perhaps the
most important development in English literature in the 18th century was the
appearance of a major new literary form the novel, one of the first of which was Robinson
Crusoe. More developments in the basic
techniques used by novelists ever since were introduced by Samuel Richardson and Henry
Fielding.
Program 4 THE ROMANTIC ERA
In the middle of the 18th century, Samuel Johnson published the first
English-language dictionary. At this time the
Industrial Revolution was transforming Englands social structure, creating a new
working class. Out of this came a whole new
direction in literature. William Blake was a
herald of this new movement, which would become known as Romanticism. His, and other romantic poets such as William
Wordsworth believed that creativity comes from the imagination, not rational thought. Others included are Samuel Coleridge, Percy Bysshe
Shelley, and John Keats. Gothic novels became
popular as well as satirized, such as the novels Frankenstein by Mary Shelley and Pride
and Prejudice by Jane Austen. A time of
intellectual ferment followed, where literature reflected a need to understand mans
place in the universe, reflected by the poems of Alfred, Lord Tennyson and The Origin
of the Species by Charles Darwin. Gerard
Manley Hopkins poetry is also covered in this segment.
Program 5 VICTORIAN POETS AND MODERNISM
London was the center of the literary world in England.
Charles Dickens novels, although often humorous, sharply criticized
the abuses and injustices of Victorian society. Many
women novelists emerged such as the Bronte sisters and Mary Ann Evans, pen named George
Eliot. As industrialization progressed,
writers such as Thomas Hardy tried to preserve local custom in their novels. The playwright, Oscar Wilde, chided the upper
class where trivial things are treated seriously and serious things are treated trivially. Around 1900 Modernism swept through English
literature, rejecting all that had come before. Included
in this movement were Joseph Conrad, E.M. Forster, D.H. Lawrence, James Joyce and Virginia
Woolf. William Butler Yeats poety is
covered also.
Program 6- INTO THE EIGHTIES
T.S. Eliot, one of the most important 20th century English poets, reflected the
modern antihero in The Love Song of J. Alfred Prufrock as well as the devastating
effects of World War I in The Waste Land. Young
poet soldiers described the realities of war. In
response to the devastation, the public turned to escape provided so cleverly in the plays
of Noel Coward. During Hitlers Nazi
regime in Germany, the voice of social protest grew as reflected in the poetry of W.H.
Auden. Focusing on postwar political
climate, George Orwell wrote Animal Farm and 1984. Novelists and playwrights of the 1950s and 1960s,
such as Kingsley Amis, William Golding, Doris Lessing, John Osborne, Samuel Beckett and
Harold Pinter are featured. Poets including
Donald Davie, Philip Larkin, Elizabeth Jennings and Kingsley Amis of the 1950s were
dubbed the Movement.
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